Photos are for illustration only.
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PRICE USD 90
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Photos are for illustration only.
“The right use of color can make any composition work.” F. Porter
My new workshop is also focused on negative painting, one of the most powerful ways to improve the background and composition.
Positive space is a subject itself. The negative space is the area around your subject so the negative space can be used to create shapes and designs that complement the main subject: painting the negative space helps you to pay attention to the background and see the unseen.
This is the second and final part about the negative painting technique: now I want to explore more subjects like bikes, landscapes, old street lamps, and other architectural elements.
I will talk about different color combinations for background and foreground and show three background color combinations for the same subject. Let's explore color theory, temperature, and contrast.
I also want to demonstrate the glazing technique: we can enhance the depth of painting by layering diluted watercolor in the background. It's another approach to negative painting.
This workshop is about composition, background, landscapes, bikes and old street lamps, glazing, color theory, and negative painting. You are welcome to join my new artistic journey!
- Do you know the difference between negative and positive spaces in watercolor?
- How can the negative space improve the sense of depth and dimension in your paintings?
- Do you know how to create a connecting bridge between negative and positive spaces?
- How to contrast background and foreground colors?
- Do you know how to push the background back?
- Have you ever tried the watercolor glazing technique?
My new workshop is also focused on negative painting, one of the most powerful ways to improve the background and composition.
Positive space is a subject itself. The negative space is the area around your subject so the negative space can be used to create shapes and designs that complement the main subject: painting the negative space helps you to pay attention to the background and see the unseen.
This is the second and final part about the negative painting technique: now I want to explore more subjects like bikes, landscapes, old street lamps, and other architectural elements.
I will talk about different color combinations for background and foreground and show three background color combinations for the same subject. Let's explore color theory, temperature, and contrast.
I also want to demonstrate the glazing technique: we can enhance the depth of painting by layering diluted watercolor in the background. It's another approach to negative painting.
This workshop is about composition, background, landscapes, bikes and old street lamps, glazing, color theory, and negative painting. You are welcome to join my new artistic journey!
Photos are for illustration only.
Workshop Topics:
1. Old Street Lamps and Landscape.
DEMONSTRATIONS
a.Old Street Lamp;
b.Landscape.
2. Flower Pot and Architectural Elements.
DEMONSTRATIONS
a.Flower Pot and Architectural Elements (Old European City)
b.Different Foreground/ Background Combinations for the Same Subject.
3. Bike and Window.
DEMONSTRATION
a.Bike and Window in Lyon.
This workshop is a two days format: the second day will be a mentoring session. You can send one painting to my email from May 9 to 12 (by morning). I will clear your questions and provide some feedback about your paintings on May 12 (the second session).
1. Old Street Lamps and Landscape.
- Compositional Choices;
- Negative and Positive Spaces;
- Mapping the Composition;
- Background Shapes;
- Background Abstract Patterns;
- Colors Choice for Backgrounds;
- Aesthetic Decisions About Design;
- Balancing the Composition;
- Creating Bridges Between Foreground and Background.
DEMONSTRATIONS
a.Old Street Lamp;
b.Landscape.
2. Flower Pot and Architectural Elements.
- Composition: Foreground and Background;
- Color Mixing: Color Theory;
- Color Temperature: Contrast;
- Best Alternatives for Background and Foreground;
- Common Mistakes: Muddy Colors;
- Glazing Technique.
DEMONSTRATIONS
a.Flower Pot and Architectural Elements (Old European City)
b.Different Foreground/ Background Combinations for the Same Subject.
3. Bike and Window.
- Drawing and Composition;
- Mapping the Darks and Values;
- Suggesting the Bike Shape: Using Negative Spaces;
- Balancing the Composition: Positive Shadows.
DEMONSTRATION
a.Bike and Window in Lyon.
This workshop is a two days format: the second day will be a mentoring session. You can send one painting to my email from May 9 to 12 (by morning). I will clear your questions and provide some feedback about your paintings on May 12 (the second session).
Photos are for illustration only.
WORKSHOP BENEFITS:
- A limited number of participants: you can interact with me and ask your questions.
- 100% live and interactive like my in-person workshops.
- Q&A will be available after each demo: my 20 years of experience as a painting tutor will help you to reach your goals as an artist.
- Five days before the workshop you will receive my list of materials (colors, paints, brands, brushes, watercolor paper suggestions, and many photos/references).
- All workshop demos and sketch photos will be sent out to you after the workshop within five days.
- The second session is a live critique/mentoring session: I will provide some feedback about your paintings. I will also clear your questions and repeat, if necessary, a few things explained in the first session.
- The main demonstrations will be uploaded to my Youtube Channel. You will receive a private Youtube link and this link will be active for a limited time.
Photos are for illustration only.
Registration: via Paypal
After your registration, a follow-up email will be sent to you with the link, password, and additional orientation for this workshop.
Please, note that a free zoom account is necessary to join Fabio Cembranelli's workshop.
Cancellation Policy:
If you withdraw from the workshop 7 (seven) days before the first session and ask for a refund, a 60% refund will be issued. No refunds can be given for withdrawals made within 7 days of the first session.
If you withdraw from the workshop 7 (seven) days before the first session and decide to attend a future workshop, your payment can be fully transferred to one of my future workshops. You just need to email me and ask for a payment transfer.
After your registration, a follow-up email will be sent to you with the link, password, and additional orientation for this workshop.
Please, note that a free zoom account is necessary to join Fabio Cembranelli's workshop.
Cancellation Policy:
If you withdraw from the workshop 7 (seven) days before the first session and ask for a refund, a 60% refund will be issued. No refunds can be given for withdrawals made within 7 days of the first session.
If you withdraw from the workshop 7 (seven) days before the first session and decide to attend a future workshop, your payment can be fully transferred to one of my future workshops. You just need to email me and ask for a payment transfer.
Photos are for illustration only.