Photos are for illustration only.
|
|
PRICE USD 90
Time zones: Check below to know the time in your area.
Photos are for illustration only.
"Every artist dips his brush in his soul, and paints his nature into his pictures." H W Beecher
My new workshop is focused on mixing colors but this time I won’t use my palette, I will mix pigments directly on the paper!
Many artists have asked me how I decide how much pigment and water I will use, or what is the right brush pressure on the paper so my answer is: it’s everything about mixing pigments on the paper (instead of spending a lot of time mixing colors on the palette). It’s about timing, again, and it’s about playing with the unpredictability.
If I mix colors on the paper I will need to pay attention to the paper's wetness and which colors I will use to achieve a certain mood. Mixing on the paper creates a subtle blending as the pigments interact and create soft transitions and color variations.
This workshop subject is a challenge so we will paint many individual flowers together, mixing pigments on the paper, and then I will demonstrate a small bouquet with different flowers.
Flowers included in this workshop: crocus, daffodils, roses, daisies, English primroses, red and pink anemones, and/or winter jasmine.
This workshop is about mixing colors, painting flowers, loose and intuitive approach to floral painting, the wetness of the paper, lifting out techniques, and how to achieve a powerful composition by working with soft edges.
Have you ever noticed that I mix the colors on the paper (not on my palette)? If not, it's your chance to see it!
- Do you know how to blend the colors on the wet paper?
- Do you have confidence in your color mixing or do you just rely on your intuition?
- Do you know how to stop your watercolor from getting muddy and overworked?
My new workshop is focused on mixing colors but this time I won’t use my palette, I will mix pigments directly on the paper!
Many artists have asked me how I decide how much pigment and water I will use, or what is the right brush pressure on the paper so my answer is: it’s everything about mixing pigments on the paper (instead of spending a lot of time mixing colors on the palette). It’s about timing, again, and it’s about playing with the unpredictability.
If I mix colors on the paper I will need to pay attention to the paper's wetness and which colors I will use to achieve a certain mood. Mixing on the paper creates a subtle blending as the pigments interact and create soft transitions and color variations.
This workshop subject is a challenge so we will paint many individual flowers together, mixing pigments on the paper, and then I will demonstrate a small bouquet with different flowers.
Flowers included in this workshop: crocus, daffodils, roses, daisies, English primroses, red and pink anemones, and/or winter jasmine.
This workshop is about mixing colors, painting flowers, loose and intuitive approach to floral painting, the wetness of the paper, lifting out techniques, and how to achieve a powerful composition by working with soft edges.
Have you ever noticed that I mix the colors on the paper (not on my palette)? If not, it's your chance to see it!
Photos are for illustration only.
Workshop Topics
a) Mixing Pigments on the Paper:
DEMONSTRATIONS
Different Flowers: 5 Individual Flowers.
b) Flower Arrangement:
DEMONSTRATION
Small Bouquet.
This workshop is a two-day format: the second day will be a mentoring session. You can send one painting to my email from January 30 to February 2 (by morning). I will clear your questions and provide some feedback about your paintings on February 2 (the second session).
a) Mixing Pigments on the Paper:
- The Color Wheel: A Quick Explanation;
- Water and Pigment;
- Pigments Properties;
- Brush Technique: Pressure;
- Foreground and Background: Everything All Together;
- Understanding Your Choice of Pigments;
- Mixing Colors Outside thE Palette;
- The Challenge: Timing;
- Lifting Out Techniques;
- Planning the Action;
- Light, Camera, Action: It’s Time to Blend.
DEMONSTRATIONS
Different Flowers: 5 Individual Flowers.
b) Flower Arrangement:
- Compositional Choices;
- Connections and Soft Edges;
- Pigment and Water;
- From Soft to Hard: The Focal Point;
- Visual Bridges.
DEMONSTRATION
Small Bouquet.
This workshop is a two-day format: the second day will be a mentoring session. You can send one painting to my email from January 30 to February 2 (by morning). I will clear your questions and provide some feedback about your paintings on February 2 (the second session).
Photos are for illustration only.
WORKSHOP BENEFITS:
- A limited number of participants: you can interact with me and ask your questions.
- 100% live and interactive like my in-person workshops.
- Q&A will be available after each demo: my 20 years of experience as a painting tutor will help you to reach your goals as an artist.
- Five days before the workshop you will receive my list of materials (colors, paints, brands, brushes, watercolor paper suggestions, and many photos/references).
- All workshop demos and sketch photos will be sent out to you after the workshop within five days.
- The second session is a live critique/mentoring session: I will provide some feedback about your paintings. I will also clear your questions and repeat, if necessary, a few things explained in the first session.
- The main demonstrations will be uploaded to my Youtube Channel. You will receive a private Youtube link and this link will be active for a limited time.
Photos are for illustration only.
Registration: via Paypal
After your registration, a follow-up email will be sent to you with the link, password, and additional orientation for this workshop.
Please, note that a free zoom account is necessary to join Fabio Cembranelli's workshop.
Cancellation Policy:
If you withdraw from the workshop 7 (seven) days before the first session and ask for a refund, a 60% refund will be issued. No refunds can be given for withdrawals made within 7 days of the first session.
If you withdraw from the workshop 7 (seven) days before the first session and decide to attend a future workshop, your payment can be fully transferred to one of my future workshops. You just need to email me and ask for a payment transfer.
After your registration, a follow-up email will be sent to you with the link, password, and additional orientation for this workshop.
Please, note that a free zoom account is necessary to join Fabio Cembranelli's workshop.
Cancellation Policy:
If you withdraw from the workshop 7 (seven) days before the first session and ask for a refund, a 60% refund will be issued. No refunds can be given for withdrawals made within 7 days of the first session.
If you withdraw from the workshop 7 (seven) days before the first session and decide to attend a future workshop, your payment can be fully transferred to one of my future workshops. You just need to email me and ask for a payment transfer.
Photos are for illustration only.